ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
46325 |
|
Horses 042 |
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists. |
46326 |
|
Horses 043 |
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists. |
46327 |
|
Horses 044 |
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists. |
46328 |
|
Horses 045 |
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists. |
46329 |
|
Horses 046 |
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists. |
46330 |
|
Horses 047 |
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists. |
46331 |
|
Horses 048 |
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists. |
46332 |
|
Horses 049 |
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists. |
46288 |
|
Horses 05 |
This is oil painting of horses on canvas. |
46333 |
|
Horses 050 |
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists. |
46334 |
|
Horses 051 |
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists. |
46335 |
|
Horses 052 |
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists. |
46336 |
|
Horses 053 |
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists. |
46337 |
|
Horses 054 |
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists. |
46289 |
|
Horses 06 |
This is oil painting of horses on canvas. |
46290 |
|
Horses 07 |
This is oil painting of horses on canvas. |
46291 |
|
Horses 08 |
This is oil painting of horses on canvas. |
46292 |
|
Horses 09 |
This is oil painting of horses on canvas. |
26279 |
|
Horses and Hunter |
This is unknown artist's work. |
42517 |
|
Horses, nose horns and oerossen |
MK169
ca.25000-17000 v. Chr. Dye on limestone rock Chauvet-cave, Valley of the
Ardeche |
48459 |
|
Hortus Conclusus of the Virgin Mary |
mk190
c.1410
Stadelsches Kunstinstitut
|
48474 |
|
Hortus Euporiae |
mk190
1604
From stephen Harrison,Arches of Triumph
JM |
67655 |
|
hosten |
kartusch i augsburgsska konstskapet
se |
50607 |
|
Hot well |
mk213
Oil on canvas
|
45576 |
|
House lass next to a table of full groceries |
mk186
1859 private possessions |
49570 |
|
How Sweden was getting sina existing inspect |
mk201
Whom omraden was getting Sweden per peace in Roskilde |
49312 |
|
Howard-s Grove Hospital,Richmond |
mk195
1862-1864
Oil on canvas
21x30
|
56730 |
|
Hu - the last trial Naifu |
mk250 Thebes, Egypt, Hu - Naifu unearthed the tomb, the 19th Dynasty, 1290-1280 BC, about the year. Papyrus scroll painting, 46 cm high. London British Museum |
62556 |
|
Hubert Robert |
1788 Oil on wood, 105 x 84 cm Musee du Louvre, Paris Artist: VIGeE-LEBRUN, elisabeth Title: Hubert Robert, Artist Date: 1751-1800 French , painting : portrait |
72662 |
|
Hudson at the Tappan Zee |
Date ca. 1876(1876)
Medium Oil on canvas
Dimensions 61 X 107.1 cm (24.02 X 42.17 in)
cyf |
41383 |
|
Hugh Latimer |
mk160
Bishop of Worcester
|
78225 |
|
Huile sur toile |
Huile sur toile
74,5 x 96,5 cm
cjr
|
73881 |
|
huile sur toile Auguste Donnay |
huile sur toile Auguste Donnay 1862-1921.MusXe de l'Art Wallon-LiXge.
cjr |
71993 |
|
Hullo, Largess, A Harvest Scene in Norfolk |
oil painting on canvas
1862(1862)
|
74049 |
|
Hunde vor der Hutte |
1880
Oil on canvas, 35 x 44 cm
cyf |
71894 |
|
Hunde vor der Hutte, |
Hunde vor der Hxtte, 1880
Oil on canvas, 35 x 44 cm
|
49662 |
|
Hundsladarna am failing one quickly and effectively transport over isvidderna |
mk199
Fagaren beneath anvander its Harpun in order to doda salar,da they am adoring be up to sina andningshal in ice |
57132 |
|
Hunter |
mk253 oil Moscow in 1871 Qiake Fu National Gallery collection |
73799 |
|
Hunter on Horseback Attacked by a Lion |
Date between 1735(1735) and 1765(1765)
Medium Oil on canvas
Dimensions 95.3 X 86.4 cm (37.52 X 34.02 in)
cyf |
72179 |
|
Hunter on Horseback Attacked by a Mythical Beast |
between 1735(1735) and 1765(1765)
Oil on canvas
95.3 X 86.4 cm (37.52 X 34.02 in)
cjr |
73800 |
|
Hunter on Horseback Attacked by a Mythical Beast |
Date between 1735(1735) and 1765(1765)
Medium Oil on canvas
Dimensions 95.3 X 86.4 cm (37.52 X 34.02 in)
cyf |
56852 |
|
Hunters in the Snow |
mk250 Year in 1565. Similar to the on-board oil, 116.8 x 162.6 cm. Vienna Art History Museum. |
38315 |
|
Hunting |
Ca 01
23x71in
Oil on canvas
|
38316 |
|
Hunting |
Ca 01
21x27in
Oil on canvas
|
38317 |
|
Hunting |
Ca 01
21x27in
Oil on canvas
|
38318 |
|
Hunting |
Ca 01
21x27in
Oil on canvas
|
38319 |
|
Hunting |
Ca 01
21x27in
Oil on canvas
|
38320 |
|
Hunting |
Ca 01
21x27in
Oil on canvas
|
34095 |
|
hunting Baths |
mk88
The Untidy assembly of domes and vaults has been remarkably well preserved in the sands for something like,1750 years |
30371 |
|
Hunting Hares |
mk68
Fresco
Madrid
Prado
c.1000
Spain
|
30939 |
|
Hunting Hares |
mk68
c.1000 |
76386 |
|
Hunting Scenes |
Hunting Scenes, oil on canvas painting by Jacques-Charles Oudry, mid 18th century.
cjr |
48865 |
|
Hushallsbestyr |
mk187
1794
Oil slick pa screen
61x48cm |
79590 |
|
Hut in Popowca on Ukraine |
about 1903;
oil, cardboard, 24 x 32,2 cm.
cjr |
63087 |
|
Hyacinth |
1680s Marble, under life-size Galleria di Palazzo Reale, Genoa Parodi created a remarkable set of four statues for the garden of the Palazzo Durazzo in Genoa. Drawn from Ovid's Metamorphoses, his figures were conceived as pairs and shared an appropriately horticultural theme of flowers: one pair featured Clytie and Hyacinth, who were beloved of Apollo and changed into flowers after their death. The interest here is very much the process of transformation - Clytie into a sunflower, Hyacinth into the flower that bears his name. Although the subject matter is somewhat unusual, Parodi's models are even more remarkable, for he has adapted them from late works by Bernini in an entirely different context. Clytie is a witty parody of the master's Truth from his unfinished Truth Unveiled, and her sunflower is derived from the sun held by Bernini's figure, but Hyacinth follows the unexpected example of the Angel with the Superscription from the Ponte Sant'Angelo in Rome, an intensely spiritual meditation that could hardly seem less appropriate. Artist: PARODI, Filippo Painting Title: Hyacinth , 1651-1700 Painting Style: Italian , sculpture Type: mythological |
42515 |
|
Hyena and panther |
MK169
ca.25000-17000 v. Chr Dye on kallksteenrots. Chauvet cave, Valley of the Ardeche |
49794 |
|
Hyenan - as it were jackal - tin be one bath fascinate and pleasant creature |
mk204
|
49793 |
|
Hyenan dodar often an Leo and able with forvanansvard speed consume sits loot |
mk204
|
61492 |
|
I den har lantliga idyllen i grevskapet wicklow levde parnell innan politiken forde honom ut i varlden |
mk275 I den har lantliga idyllen i grevskapet wicklow levde parnell innan politiken forde honom ut i varlden |
61264 |
|
I en serie bilder visar |
mk274 w hogarth hur en ung man, med de basta forutsattningar kan raka i lla ut hon deltar pa den har bilden i en nattlig orgie lagg marke till de bada gladjckorna gemensamt plundrar honom pa agdelar |
43392 |
|
I exercise republican, peloton chichimeco and imperial execution |
mk171
|
56813 |
|
I found the cross and prove |
mk250 Arezzo, Italy, St. Francis Church Houdian. About the year 1455, frescoes, 356.5 x 193 cm. |
61317 |
|
i mpressionistisk malning av gustav klimt |
mk274 i mpressionistisk malning av gustav klimt |
57785 |
|
i peter forsskals stambok har hans studiekamrat i gottingen |
mk260
i peter forsskals stambok har hans studiekamrat i gottingen,dansken frederik seidelin |
67035 |
|
i skydd av rokridaer |
se |
68228 |
|
i tolv vaggmalningar skildras karl |
se |
61312 |
|
i wien utbrot under revolutionsaret 1848 gatustrider i vilka studenterna tog en mycket aktiv del. |
mk274 i wien utbrot under revolutionsaret 1848 gatustrider i vilka studenterna tog en mycket aktiv del. |
68469 |
|
iakttagen |
se |
73356 |
|
Ice cream vender |
1991, by russian artist Veniamin Ivanovich Borisov (b. 1935).
cyf |
65249 |
|
Icon of St Nicholas |
13th-14th century Egg tempera on panel, gesso ground, 107 x 82 cm The Hermitage, St. Petersburg Novgorod Veliky (Novgorod the Great) is one of the oldest Russian towns. In the 12th to 15th centuries it was the centre of a large republic, whose art was greatly influenced by popular ideas of beauty. This was especially striking in the art of painting of the 13th and early 14th centuries, the period to which the Hermitage icon of Saint Nicholas is dated. Its red background is usually noted, for the vivid red (cinnabar) background combined with the lemon-coloured halo and the bluishgreen vestment of the saint make a striking impression. The beauty of the icon is enhanced by the careful graphic treatment of the forms and by the ornamental design. The saint is represented as sublime and severe in accordance with the standard developed in the Christian art of Byzantium. But the vivid colours and embellishments adopted from folk art soften the hieratic posture and stern countenance, turning the austere Byzantine saint into the Russian Nik?la, who was believed to be involved in all of humans' daily doings and cares. Artist: UNKNOWN MASTER, Russian , Icon of St Nicholas , 1301-1350 , Russian , painting , religious |
65250 |
|
Icon of St Theodore Stratilates and St Theodore Tyron |
15th century Egg tempera on panel, gesso ground, 53,5 x 38 cm The Hermitage, St. Petersburg The ancient Novgorod school of painting is a remarkable and singular phenomenon in Russian art. This is especially evident from 15th century icon painting. A refined work of art, this icon in the Hermitage collection was produced by a skilful master who preferred graceful delicate forms and elongated proportions. The icon depicts two holy warriors. The features of their faces are small, which is a characteristic of the Novgorod icon-painting school. The saints' light figures are full of inner movement and their feet barely touch the ground. They are draped with flowing cloaks. The faces are dark with sharply contrasting light spots. In the colour scheme based primarily on the combination of ochre, red, brown and green, the cinnabar cloak of Theodore Stratilates is a bright spot on a light background. The haloes still retain traces of their original gilding. Artist: UNKNOWN MASTER, Russian , Icon of St Theodore Stratilates and St Theodore Tyron , 1451-1500 , Russian , painting , religious |
65251 |
|
Icon of the Transfiguration |
16th century Egg tempera on panel, gesso ground, 55,5 x 43,5 cm The Hermitage, St. Petersburg The icon of the Transfiguration creates a tremendous impression on its simplicity and clarity of composition, splendid drawing and bright coloration. On the mount are Christ in His glorious radiance and the Prophets Elijah and Moses conversing with him; below are apostles astonished by the miracle, Peter kneels in amazement and John and James fall dazzled by the light. The painter, illustrating the evangelical theme of Christ's miraculous transfiguration in the presence of his disciples, was, above all, an excellent colourist. On the light blue background and light ochre mountain he boldly laid thick, bright colours-green and red, yellow and brown, white, and dark to the point of blackness. Typical of none of the icon-painting schools, the icon of the Transfiguration with this light blue background can, owing to its artistic merits, rank among the finest examples of early Russian easel painting. Artist: UNKNOWN MASTER, Russian , Icon of the Transfiguration , 1501-1550 , Russian , painting , religious |
41844 |
|
Icon-Painters Vanivka and Zdvyzen |
mk165
The Nativity of Our Lady
|
41892 |
|
Iconostas from the church of the Holy Spirit |
mk165
1650
|
30431 |
|
Ideal City |
mk68
Oil on wood
23 1/2x6'6"
Urbino
|
61465 |
|
idyll fran sommarpalatset i s t petersburg pa 1830 talet |
mk275 idyll fran sommarpalatset i s t petersburg pa 1830 talet |
75736 |
|
Idyllic Roman Landscape |
English: Idyllic Roman Landscape by Adolf Friedrich Harper, who painted this in 1790. It is on display at Ludwigsburg Palace in Germany.
Date 1790
cyf |
67435 |
|
Ignacio Pinazo Camarlench El guardavla |
Dimensions = 100.5 X 71.5 cm
Location = Valencia
Gallery = Museo de Bellas Artes de Valencia
Year = 1877 |
75252 |
|
Il gioco della cagnetta |
Italiano: Il gioco della cagnetta. Dipinto ad olio su tavola del pittore Guido Marzulli - cm. 40x50.
cyf |
65065 |
|
Illuminated Chronicle |
300 x 210 mm National Sz?ch?nyi Library, Budapest The picture shows the title-page of the Illuminated Chronicle which contains the history of Hungary and represents the international artistic style of the royal courts in the court of Lajos (Louis) the Great. The Illuminated decoration of the manuscript was executed in Hungary before 1360 and it proves the knowledge of the Hungarian life, historical traditions and legends. According to an assumption it was made by the merited painter of the King, Hertul fia Mikl?s. , MINIATURIST, Hungarian , Illuminated Chronicle , 1351-1400 , Hungarian , illumination , historical |
65100 |
|
Illuminated Chronicle |
1360 Body colour, parchment, 300 x 210 mm National Sz?ch?nyi Library, Budapest This page of the Chronicle contains a miniature in a simple frame depicting the construction of the Cathedral in Nagyv?rad, and an initial P with King St Ladislas receiving foreign ambassadors. , MINIATURIST, Hungarian , Illuminated Chronicle , 1351-1400 , Hungarian , illumination , historical |
65203 |
|
Illuminated Chronicle |
1360 Illumination on parchment National Sz?ch?nyi Library, Budapest The illumination depicts the Capture of Gyula. Artist: MINIATURIST, Hungarian , Illuminated Chronicle , 1351-1400 , Hungarian , illumination , historical |
45830 |
|
Illuminating light in the night |
mk178seaweed-dynasty India ink on paper 30.8x34cm |
30505 |
|
Illustration to the Tale of Monkeys |
mk68
Painted handscroll
London,British Museum
1560-1570
Japan
|
50949 |
|
Immigrant |
mk217
|
49783 |
|
Impalabock with hind in silhuett anti the tropical himlen |
mk204
|
48416 |
|
Imperiale and his Family before the gardens of Villa di Sampierdarena |
mk190
1642
Villa Cattaneo-Imperiale
|
49580 |
|
Important an they nya industries produce each ago Swede people wonder 1700- digits still hemslojdsvarorna |
mk201
These ware balance of of kringvandrande gardfarihandlare |
74084 |
|
Impression |
Ölgemälde von Carsten Eggers, 60 x 70
cyf |
37836 |
|
Impression painting |
mk129
Oil on canvas
|
43380 |
|
In 1889 the Academy put to contest the fear mitica of the origin of the nacion, based on the Cronica mexicayotl |
mk170
|
73208 |
|
In a barn. |
In a barn. Aquarelle, paper. 17.2 x 26.8 cm.
cjr |
72271 |
|
In a wine vault |
August von Wille. In a wine vault (1886). Oil on canvas
cjr |
56999 |
|
In accordance with the rules of accidental arrangement of collage |
mk250 year in 1916-1917. Tear up the paper with the adhesive. 48.6 x 34.6 cm. New York Museum of Modern Art. |
50830 |
|
IN adder avfoda,vem had entered your that soka escape the tillstundande vredesdomen |
mk215
|
73595 |
|
In Altai Mountains |
In Altai Mountains
cyf |
35383 |
|
In Dusky Bay,New Zealand March 1773 |
mk102
Wash and watercolour
38.2x54.3cm
|
43458 |
|
In European Baroque Art |
mk172
it was customary to find images of Skulls,dusty pages torn out of books,wilted flowers or dead
|
74334 |
|
In Gurzuf |
Painting "In Gurzuf", by russian artist Anatoli Vasiliev
cyf |
49639 |
|
In order to kunna attend to underline prompt pa its expedition tvars over Sydamerika barley Gonzalo and his husband a river in Amazon jungle |
mk199
It was with the bdten as Orellano and his foljeslagare did its fard to Amazonflodens estuary |